17,736 Royalty-Free Audio Tracks for "Audio Files Of Kv 525 By Wolfgang Amadeus Mozart"

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Parrallelism in music (example).
Author: Hyacinth
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Example of modulation to the dominant from vocal music (1836).
Author: Hyacinth
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03:57
日本語: 夢の南十字星
Author: 牌鬼屋 エンゼルレコード
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03:33
The traditional fiddle song "White House Blues", performed by Charlie Poole and the North Carolina Ramblers. Later on, the tune became a well-known bluegrass standard. Das traditionelle Fiddle-Stück "White House Blues", gespielt von Charlie Poole und den North Carolina Ramblers. Der Titel wurde später zu einem beliebten Bluegrass-Song.
Author: Traditional
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03:20
The traditional country song Little Bessie, performed by the Alabama Barnstormers (a duo which consists of country singers Tom Darby [vocal, guitar] and Jimmie Tarleton [vocal, steel guitar]). (The Alabama Barnstormers name was used for other US country acts reissued on Regal Zonophone)
Author: Old Traditional, no author
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Electronic music produced using 8-bit sounds and modern production software/drum samples
Author: Laurel Wreath of Victors
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03:02
Peter Dawson singing "Down Among the Dead Men" - 1909 Other information catalog entry: http://trove.nla.gov.au/work/35170144?selectedversion=NBD43796292
Author: Peter Dawson (Life time: 1961)
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The traditional country song Ragged But Right, performed by (alias Wilf Carter)
Author: Traditional
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Silent Night (track 18 of 27 on 2010 Christmas With The Chorus album)
Author: Joseph Mohr, Franz Xaver Gruber, performed by United States Army Chorus, arranged by Col. (Ret.) Samuel R. Loboda and Maj. Dwayne S. Milburn/Joseph Mohr
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The country song Walkin' After Midnight, performed by Patsy Cline
Author: Traditional
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T.B. Boyer, composer, Edison Diamond Disc Cat. 51059-L, Mx. 8617-B, recorded October 5, 1922. "The Bicentennial Collection" was released in 1998. From U.S. Marine Band album: "The Bicentennial Collection"
Author: United States Marine Band
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clip of "I'm an Old Cowhand (from the Rio Grande)" performed by Gene Autry and Mary Lee
Author: song by Johnny Mercer, performed by Gene Autry and Mary Lee
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Big Lou Jammin' and Mixing to R8SlowShuffle (see other contributions)
Author: RiverCO
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03:19
The traditional country song Milwaukee Blues, performed by Charlie Poole and the North Carolina Ramblers
Author: Old Traditional, no author
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00:36
A version of "Goin' Down The Road Feelin' Bad" by Roy Hall & his Cohutta Mountain Boys Eine Version von "Goin' Down The Road Feelin' Bad", gespielt von Roy Hall & seine Cohutta Mountain Boys
Author: Tradtitional
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RiffWorks medium boogie experiment
Author: RiverCO
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FREDERIC CHOPIN, THE ETUDES PAN 107 (1810 - 1849) Martha Goldstein, Piano (Erard, 1851) Opus 10 - Twelve Grand Etudes dedicated to Franz Liszt, published 1833 c minor- Allegro con fuoco Supposedly written in Stuttgart shortly after Chopin received news of the taking of Warsaw by the Russians September 8, 1831, this Etude is popularly called The Revolutionary."
Author: Martha Goldstein
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Aria from L'elisir d'amore sung by Enrico Caruso accompanied by Salvatore Cottone on piano.
Author: Gaetano Donizetti
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Bach's Invention No. 8 in F Major, BWV 779 performed by the Strolling Strings of the United States Air Force Band. Track 10 from Air Force Strolling Strings 40th Anniversary (1994).
Author: Composition: Johann Sebastian Bach; Performance: United States Air Force Band, Strolling Strings; Recording: United States Air Force
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Song to the Moon from Antonin Dvorak's 1901 opera Rusalka as performed by the United States Navy Band. Recorded at the Hylton Performing Arts Center, Manassas, Virginia in May 2015. Conducted by Captain Brian Walden. Orchestrated for band by Senior Chief Musician Scott Silbert. Featuring soprano soloist Musician 1st Class Susan Kavinski.
Author: Untitled
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Johann Sebastian Bach's Toccata, Adagio and Fugue in C major, BWV 564, in a transcription by Thomas Knox of the U.S. Marine Band, played by the U.S. Marine Band for the album Marine Band Showcase, Volume 2.
Author: Composition: Johann Sebastian Bach Performance: United States Marine Band
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Die Stem van Suid-Afrika performed in the late 1950s/early 1960s by the Band of the South African Air Force, directed by Captain J. E. Koops van't Jagt. It was the former national anthem of South Africa from 1957 to 1994, during the apartheid era.Sonando desde nuestros cielos azules, Desde la base más profunda de nuestros océanos Sobre montañas eternas, Cuando los riscos resuenan, Desde nuestras llanuras donde, vagones crujientes, Cortan sus senderos en la tierra, Llama al espíritu de nuestro país, De la tierra que nos vio nacer. A tu llamada no vamos a fallar, Firmes y constantes compareceremos, A tu voluntad de vivir o morir, O Sudáfrica, tierra querida. En nuestro cuerpo y nuestro espíritu, En nuestro fuero interno se mantuvo firme; Y la gloria de nuestro pasado; En la promesa de nuestro futuro, En nuestra voluntad, nuestro trabajo, nuestro esfuerzo, Desde la cuna hasta la tumba No hay tierra que comparte nuestro amoroso, Y hay lazo que pueda esclavizar. Tú nos has dado y te hemos conocido, Que nuestras acciones a todos proclaman Nuestro amor perdurable y servicio Para tu honor y tu nombre. En el calor de oro del verano, En el frío del aire de invierno, En la vida surgiendo de la primavera, En el otoño de la desesperación; Cuando las campanas de boda repiquen, O cuando aquellos a quienes amamos personas sí, Tú nos la sabes de tus hijos Y dost llevarnos a tu corazón En voz alta repiques el coro contestador; Somos tus cosas, y vamos a estar de pie, Ya se trate de la vida o la muerte, para responder Para tu llamada, tierra amada. En tu poder, Todopoderoso, confiando, Hicieron nuestros padres construyen de edad; Fortalecer entonces, oh Señor, a sus hijos Para defenderse, de amar, de explotaciones Que la herencia que nos dieron Para nuestros niños aún pueden ser; Fiadores sólo a la más alta Y antes de que todo el mundo libre. Como nuestros padres confiaban humildemente, Enséñanos, Señor que confiar en ti todavía; Proteja nuestra tierra y guiar a nuestro pueblo En tu camino, para hacer tu voluntad.한국어: 남아프리카의 외침 1절 우리의 깊은 바다에서 출렁이는 파도 소리는 우리의 푸른 하늘에 울려 퍼지리라, 높은 산 위에서 바위산 끝까지 우리의 메아리가 울리리라. 우리의 먼 곳에 사람이 살지 않는 평원을 통해 무기와 황소의 신음을 함께 하리라. 우리의 사랑의 목소리는 남아프리카 공화국을 향해 커지리라. 우리는 너의 전화에 응답하리라. 우리는 당신이 원하는 것을 제공하리라. 우리는 남아프리카 공화국, 당신을 위해 우리는 죽을 것이다, 살 것이다. 2절 우리의 몸과 마음, 우리의 마음과 영혼은, 과거의 영광에서 우리의 희망이 되리라. 우리의 작품에는, 요람에서 무덤까지 다른 땅과 우리 사랑을 화합하지 않으리라. 다른 건 우리의 자신감이리. 국토 안보부여, 우리는 경의를 표하리. 우아한 너의 이름과 우리의 아프리카너가 최고이리라. 남아프리카 공화국의 아이들이여! 3절 여름의 더위와 겨울의 추위에 우리의 사랑의 봄과 우리 삶의 가을은 교회의 종이에서 나는 소리이리라. 요람의 발에서 우리는 당신의 목소리를 들으니 너는 네 딸이 어디 있는지 알고 있도다. 전화할때 우리는 거부하지 않는다. 영원히 우리와 연락하리라. 생명과 죽음이여, 우리는 남아프리카 공화국에 올 것이리! 4절 자신감에 전능한 우리의 선조는 주님, 우리에가 강을 주소서!라 외쳤으니, 지원을 유지하리라. 우리 조상의 땅, 우리 아이를 위해 영원한 하인들이여, 세계와 붙으리라. 우리 조상들이 믿음을 우리가 믿는 주님을 가르쳐, 우리의 땅과 우리 민족과 함께 당신의 유언대로 다스려라! 영어 한국어 번역 1절 우리의 깊은 바다에서 출렁이는 파도 소리는 우리의 푸른 하늘에 울려 퍼지리라, 높은 산 위에서 바위산 끝까지 우리의 메아리가 울리리라. 우리가 어느 평원에서 마차를 맞추었는가? 지구의 철도를 자르면, 우리나라의 정신과 통화하리라. 토지는 우리에게 탄생을 주었다. 그대는 우리가 주저하면 안된다는 것을 확고하고 우리가 확고하리라. 그대는 살거나 멸망하리라. 사랑하는 땅, 남아공이여! 2절 우리의 몸과 우리의 영혼에서, 우리의 가장 깊숙한 곳의 마음에 빨리 개최하리라. 그리고 우리의 과거의 영광을, 우리의 미래의 약속이 있으리라. 우리의 작품은 우리의 믿음으로 만들어진 것이리라. 무덤에 크래들에서, 그 주에는 우리의 사랑이 가득한 땅이, 끈끈이같은 자들은 정복하지 못하리라! 너의 젖먹이에 우리를 매개로, 우리는 그대를 알고, 매일 우리의 행동은 모든 선포에 우리의 영원한 사랑과 봉사는 명예와 너의 이름을 그대에게! 3절 뜨거운 여름의 향기와, 차가운 겨울의 기운, 따뜻한 봄의 집과 시원한 가을의 절망은 결혼의 종소리는 굴뚝에서 울리라. 우리가 떠나보내는 새 사람, 그대의 아이들의 마음은 우리를 데려가리라 커다란 종소리여, 우리는 그대가 있으며, 우리가 서한다던, 대답하리. 그대는 생명이냐 죽음이냐, 모르면 사랑하는 땅에 전화를! 4절 그대의 권력에서 전능한 신뢰는, 우리 조상들이 예전에 만들었는가? 사랑하는 변호를 잡으리. 주님의 아들은 강한 탓에 그들이 준 유산으로 우리는 행복하리라. 높은 곳의 보석은, 세상에 자유를 주리라. 우리 조상은 겸허하게 신뢰할 수 있는 것처럼 가르치는 우리 주님은 여전히 하느님을 믿는다. 우리는 우리의 사람과 땅을 안내하리. 우리의 아버지는 할 수 있도다!
Author: Untitled
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America, a rock rendition of "My Country 'Tis of Thee", performed by the Blue Aces of the United States Air Force Heritage of America Band. Track 20 from Carry On (2007).
Author: Arrangement: Miguel Gomez; Performance: United States Air Force Heritage of America Band, Blue Aces; Recording: United States Air Force
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Quintet in G Minor, Op. 14, performed by the Concert Band of the United States Air Force Heartland of America Band. Track 17 from Fancies, Toyes and Dreams (1994).
Author: Composition: Johann Sobeck; Performance: United States Air Force Heartland of America Band, Concert Band; Recording: United States Air Force
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Українська: Генрі Перселл. Опера "Дідона і Еней", запис з театралізованої постановки у Київському будинку вчених, 2 березня 2014
Author: Генрі Перселл (музика), Олена О'Лір (переклад українською)
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Johann Sebastian Bach (1685-1750): Choral prelude for organ ‘’Now comes the gentiles' Saviour’’ (about 1708-1717), BWV 659, Adagio, G minor, transcription for piano (1907-1909) by Feruccio Busoni (1866-1924), dedicated to José Vianna da Motta (1868-1948) in meantone temperament
Author: Membeth
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it's time for Holy Russia, the national anthem of Red Russia (Galicia). Пора, пора за русь святую, национальный гимн Краснорусь (Галиция). Pora, pora za świętą ruś, hymn narodowy Czerwono Ruś (Galicja).
Author: Unknown authorUnknown author
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sample of the original version by Psyche from the album "Insomnia Theatre"
Author: Ghostchild
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Away in a Manger (jazz rendition) performed by the Airmen of Note of the United States Air Force Band. Track 10 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*
Author: Composition: James Murray; Arrangement: TSgt Alan Baylock; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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Arirang performed by the Airmen of Note of the United States Air Force Band. Track 6 from Global Reach (2018).[1] Credits: Commander and conductor - Col. Larry H. Lang Alto Saxophone, Soprano Saxophone, Flute, Alto Flute – Technical Sgt. Mike Cemprola* Alto Saxophone, Soprano Saxophone, Flute, Alto Flute, Piccolo Flute – Senior Master Sgt. Tyler Kuebler* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Percussion – Master Sgt. David McDonald* Guitar – Master Sgt. Geoff Reecer* Piano, Electric Piano [Fender Rhodes] – Technical Sgt. Chris Ziemba* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford* Tenor Saxophone, Flute, Clarinet – Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Technical Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*
Author: Composition: traditional; Arrangement: Master Sgt. Ben Patterson; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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Good King Wenceslaus, is an 1853 English Christmas carol, set to the melody of "Tempus adest floridum" a thirteenth-century Latin carol for spring. It is here performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. However, only verses 1, 3, and 5 are performed, giving it a somewhat disjointed storyline, which is very unfortunate.
Author: Tune is 13th century, first published in the 1582 Finnish song collection Piae Cantiones. Lyrics are by John Mason Neale (1818-1866), in collaboration with Thomas Helmore (1811-1890}. First published in Carols for Christmas-Tide (1853) Performed by the chorus of the U.S. Army Band "Pershing's Own".
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An instrumental performance of the hymn "Eternal Father, Strong to Save", by the United States Marine Band, as played at military funerals
Author: Composition: John Bacchus Dykes (1823–1876) Performance: United States Marine Band
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Aria from Rigoletto sung by Enrico Caruso, accompanied by Salvatore Cottone on piano.
Author: Giuseppe Verdi
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